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Current
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These
drawings are based on patterns used on an heirloom quilt ca. 1860. It
was passed on to me by my grandmother and was most likely made
by my great-great-grandmother, Isabella Jane Kerr, although it’s
also possible that she had originally acquired it from someone
else. Trapunto refers to the technique of outline stitching and
padding on the white-on-white quilt, creating an embossed, puckered
surface. I was intrigued with the chiaroscuro created by this textured
surface as illuminated under low light on my wall. I photographed
sections of it and heightened the contrasts with Photoshop. The
reference photos (bottom of page) were used as a point of departure
for the graphite drawings. Panels are added as completed and can
be assembled into larger or smaller configurations. This is an
ongoing project as I now move into other media with it.
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Trapunto
1,
graphite on
Rives BFK,
30 x 22" |
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Trapunto,
triptych #1, - Graphite on Rives BFK 30 x 66” |
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Trapunto
2, graphite on Rives BFK,
30 x 22" |
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Trapunto,
diptych #1 Graphite on Rives BFK,
30 x 44” |
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Trapunto,
triptych #2 Graphite on Stonehenge 40 x 78” |
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Trapunto,
triptych #3 Conte, ink on Denril 17 x 42” |
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Trapunto,
triptych #4 Ink on Fabriano 22 x 90” |
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Trapunto
#12 Ink on Fabriano 22 x 30” |
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Trapunto,
#13 Ink on Fabriano 22 x 30” |
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Ink
Study #4,
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8 x 10" |
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Ink
Study #2, 8 x 10" |
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Ink
Study #1, 8 x 10" |
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Ink
Study #3, 8 x 10" |
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Quilt
Detail #1 |
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Quilt
Detail #2 |
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